Music in the unconscious state

Song of the Occasional Day

"You Know I'm No Good"
Amy Winehouse
"Back to Black

amazing. article on the winehouse versus lily allen soon to come.

Song of the Occasional Day

“Table for One”
Liz Phair
From the album “Somebody’s Miracle”

Of all the songs on this album this one sounds the most like old school liz. She goes deep into the lower reaches of her voice that she can’t really reach, in that wonderful way she always used to do. Love this song.

Song of the Occasional Day

"Devil Will Ride”
Gomez
“Liquid Skin”

I’ve gotta buy the new album—I’m way behind, but playing this song as usual in order to motivate me for a good day. This song is amazing to listen to when walking somewhere—makes you feel happy and in control. Maybe that’s just me.

Song of the Occasional Day

"Go Leave"
Kate & Anna McGarrigle
from self titled album

Kate McCarrigle = Martha and Rufus Wainwright's mom
She's singing about their father Loudon Wainwright III.
Listen for the tear drop that hits the guitar strings at the end of the song. No joke.
Martha talks about this song in an interview I posted a way long time ago.
I listen to this song when I'm feeling melancholic/feeling wronged by selfish people. So like, atleast once a day. No not really (because almost every time i listen to this damn song I want to cry).

For a twisted response to this song, listen to:

"I'd Rather Be Lonely"
Loudon Wainwright III
from the album "History"

COACHELLA 2007 --i couldnt have picked better myself--

my favorites of the list:

Friday April 27
Bjork
Interpol (okay whatever)
Brazilian Girls
Peaches (“I don’t give a fuuuuuuuuck!!!!”)
Felix Da Housecat (I peed a little when I saw that‡ No.1 priority all day)
Rufus Wainwright (I’d rather it be Martha, but I’m down)
Gillian Welch (soundtrack to O Brother Where Art Thou, anyone?)

Saturday April 28
Red Hot Chili Peppers (okay whatever)
The Arcade Fire (they were so in the morning on a small stage 2 years ago, )
LCD Soundsystem
Blonde Redhead (depressing and delicious at the same time!!)
!!! (must hear Dear Can)
Regina Spektor (ummm YES. No.1 priority all day)
Ghostface Killah

Sunday April 29
Rage Against the Machine (okay whatever)
Manu Chao (*yay* No.1 priority all day)
Willie Nelson (if he can get to the festival without getting caught with a pound of weed…)
The Roots (must hear Star/Pointro)
Damien Rice
Lupe Fiasco (***which one of these is not like the oth-ers??***…seriously I
don’t really know what he does outside of rapping for KanYe West)
The Avett Brothers (they’re in the morning—small crowd methinks?)

April 27th is Kevin’s birthday---sounds like the best birthday weekend ever!!! If the spring musical conflicts with Coachella, I ain’t doin’ it. Ps. I am not going to flirt with death by being at the front without food or water for 12 hours/ being crushed by a 100,000 ppl like I did 2 years ago. The back sounds juuuust fine.

Things I learned from Coachella 2005:
1. If you are deprived of water in 100 degree heat, don’t worry about bathrooms, you won’t need them!
2. If you are right in front of the stage at a huge concert, you don’t really get to decide whether or not you want to mosh.
3. Bauhaus fans are insane and should be jailed.
4. Indio locals are not exactly, ahem, “sophisticated”.
5. Don’t set up your tent in the dark, because in the morning you might find that you are in the middle of a major walkway…
6. Memorize where your tent is, because they ALL LOOK THE SAME.
7. Greyhound is NOT the best way to travel.
8. Rivers Cuomo is a weird asshole.
9. Making choices about who to see at which stage can be extremely upsetting.
10. Atleast one of the nobodies scheduled for the small stages will be headlining in 2 years.
11. Bottled water is like eight bucks.
12. Nicole Richie or someone equally worthless will probably be high on vicodin sitting near you.
13. Try to look happy when one of the million of photographers at the front of the stage takes pictures of the crowd, because apparently its not cool to have a giant picture of you frowning in the UCSB newspaper.

The picture I took of Scott of Weezer at Coachella 2005 (yah we were freakin close!)

Mercedes Sosa - Gracias a La Vida

The glorious Violeta Parra

Mercedes Sosa

Joan Baez--March on Washington

Violeta Parra & the concept of cultural discourse

Violeta Parra, composer of the profound “Gracias a la Vida” and innovator of the “New Song” movement in Chile (La Nueva Canciòn chilena), had a life of work that has effected generations of musicians and profound thinkers alike. Her music is famous for beautiful melodies, but the heart of her music is her poetry. The poem “Gracias a La Vida” inspires much more than a love song, and is extraordinary writing in and of itself, separate from the music.
The song is a certifiable anthem among Chileans and many South Americans, and has been covered countless times, most notably by Joan Baez on her 1974 Spanish language album of the same title, and by the Argentinean folk singer Mercedes Sosa. The latter version is undoubtedly the most beautiful—Sosa’s rich contralto accompanied by simple guitar is astounding in it’s elegance and interpretation (although the importance of hearing Violeta’s own voice on her song is of the utmost, the beauty of Sosa’s version is undeniable). Sosa and her husband, Manuel Oscar Martines, were prominent figures in the mid-60s nueva cancion movement in Argentina, the parallel movement to that of Parra’s that was occurring in Chile at the same time. Sosa recorded a tribute to Parra after her death.
One of Violeta Parra's major concerns was using her music to, number one, keep Chilean folk music alive, and number two, to have a forum for cultural and political discourse. Joan Baez of course composed and performed under the same ideals, hoping to enact change through music and art. It may seem random for me to post on a Chilean song from the ‘60s, but it seems like such a relevant and important concept, one that is more or less missing from our current musical culture. I feel that there is nothing worse than apathy, and I feel that among young people of my generation apathy is epidemic. There are no “movements” –no group inspiration to change the world around us. There are the occasional artists like Martha Wainwright and Talib Kweli, but on the whole, we have the Jessica Simpsons, who are neither talented nor articulate nor impassioned. Not every artist is inspired to be profound with their music, which is fine--music can certainly be great without being profound. But I feel that there is a gap in our generation's culture--there is no thirst for the profound. “Gracias a la vida” is but one example of the power of a beautiful and profound piece of music, and I wish there were more examples of that combination in today's popular music.

"Mercedes Sosa." Wikipedia, The Free Encyclopedia. 15 Jan 2007, 02:15 UTC. Wikimedia Foundation, Inc. 20 Jan 2007 .

Preferred version: Mercedes Sosa, Album: “Exitos Eternos”

Gracias a la vida
Poem by Violeta Parra
English translation by William Morín

Gracias a la vida, que me ha dado tanto.
Me dió dos luceros, que cuando los abro.
Perfecto distingo lo negro del blanco
Y en el alto cielo su fondo estrellado,
Y en las multitudes
El hombre que yo amo.

Gracias a la vida, que me ha dado tanto.
Me ha dado el oìdo que en todo su ancho
Graba noche y dìa grillos y canarios
Martillos, turbinas, ladrillos, chubascos
Y la voz tan tierna de mi bien amado.

Gracias a la vida, que me ha dado tanto.
Me ha dado el sonido y el abecedario.
Con él las palabras que pienso y declaro,
“Madre,” “amigo,” “hermano,” y luz alumbrando
La ruta del alma del que estoy amando.

Gracias a la vida, que me ha dado tanto.
Me ha dado la marcha de mis pies cansados.
Con ellos anduve ciudades y charcos,
Valles y desiertos, montañas y llanos,
Y la casa tuya, tu calle y tu patio.

Gracias a la vida, que me ha dado tanto.
Me diò el corazòn que agita su marco.
Cuando miro el fruto del cerebro humano,
Cuando miro al bueno tan lejos del malo.
Cuando miro el fondo de tus ojos claros.

Gracias a la vida, que me ha dado tanto.
Me ha dado la risa, me ha dado el llanto.
Asì yo distingo dicha de quebranto,
Los dos materiales que forman mi canto,
Y el canto de ustedes que es el mismo canto
Y el canto de todos que es mi propio canto.

Thank you to life

Thank you to life, which has given me so much.
It gave me two beams of light, that when opened,
Can perfectly distinguish black from white
And in the sky above, her starry backdrop,
And from within the multitude
The one that I love.

Thank you to life, which has given me so much.
It gave me an ear that, in all of its width
Records—night and day—crickets and canaries,
Hammers and turbines and bricks and storms,
And the tender voice of my beloved.

Thank you to life, which has given me so much.
It gave me sounds and the alphabet.
With them the words that I think and declare:
“Mother,” “Friend,” “Brother” and the light shining.
The route of the soul from which comes love.

Thank you to life, which has given me so much.
It gave me the ability to walk with my tired feet.
With them I have traversed cities and puddles
Valleys and deserts, mountains and plains
And your house, your street and your patio.

Thank you to life, which has given me so much.
It gave me a heart, that causes my frame to shudder.
When I see the fruit of the human brain,
When I see good so far from bad,
When I see within the clarity of your eyes…

Thank you to life, which has given me so much.
It gave me laughter and it gave me longing.
With them I distinguish happiness and pain—
The two materials from which my songs are formed,
And your song, as well, which is the same song.
And everyone’s song, which is my very song.